Lines of Disruption
In Couleur et Fabrication, Wade Guyton transforms a 1960s Italian lamp catalogue into layered compositions of colour, chance and machine error
- Artwork Wade Guyton
Wade Guyton is an American artist known for his experimental approach to digital printing. Wade Guyton: Couleur et Fabrication (2011, Galleria Gió Marconi, Milan) documents his second solo exhibition at the gallery, featuring 44 ‘drawings’ made in 2009. For this series, Guyton tore pages from a 1960s Italian lamp catalogue and marked them with geometric lines in varying colours. Using a basic ink jet printer, he ran the pages through the machine, layering new digital elements over the original imagery. This process, central to Guyton’s practice, introduces mechanical chance and disruption, recalling influences from Russian Constructivism and the Bauhaus. The book presents reproductions of
Sculpting Air
Inspired by côte&ciel designer Emilie Arnault's sculptural approach, architect and spatial artist Alberto Simoni of …
Blackletter Revival
From Saltburn to Juicy Couture, pop albums to podcast logos, blackletter type is everywhere – and it’s shaking off its outdated associations
Back to the Roots
After years of private equity-driven expansion, Flos and B&B Italia are returning to what made them great. With Piero Gandini at …
Building Belonging
From a WhatsApp group to a growing network, Black Females in Architecture is creating space for the next generation of architects
Can plastic ever be green?
As global temperatures hit an all-time high and the plastic-free movement gains momentum, can the wonder material of the 20th century …
Back to Milan
With a highly personal exhibition in a Milanese palazzo, as well as a presence in the Salone del Mobile in Milan, Michael …
The Politics of Data
From wealth inequality to media bias, Mona Chalabi’s data visualisations tell stories that numbers alone cannot
Design as Resistance
How Palestinian architects, artists and designers navigate material restrictions, urban fragmentation and cultural preservation under …
Era of Adaptation
Carlo Ratti's four-word manifesto frames an exhibition that grapples with climate catastrophe, collapsing populations and the …
Anima Issue 3
This is the third issue of Anima, and it has a new format and look, thanks to Cabinet Milano. They have worked hard to create a …
Printmaking with Ramon Keimig
Through zines, posters, record sleeves and installations, the Swiss artist and designer brings the imperfections of the analogue …
Giles Tettey Nartey’s designs are rooted in African craft traditions
Exploring ritual, memory and materiality, the British-Ghanaian artist and architect reveals how his heritage and experiences …
The Rise and fall (and archive) of Nokia
Once the king of mobile phones, Nokia’s legacy lives on through the newly unveiled Nokia Design Archive at Aalto University, Finland
Design on the Menu
Five restaurants where architecture and design have made a big impression
The making of Grand Theft Hamlet
Pinny Grylls and Sam Crane discuss their groundbreaking project – a site-specific performance of Hamlet staged entirely within the …
Elio Fiorucci
As Triennale Milano unveils a new retrospective of Fiorucci’s life and influence, Anima speaks with the exhibition’s curator Judith …
Notes on Design: Andu Masebo’s Tubular Chair
Andu Masebo delves into the making of his Tubular Chair, revealing insights into his design process, materiality and collaboration …
Alternatives to Charcoal
For affluent westerners charcoal is the means to add flavour to garden barbecues. But in much of the world, with no affordable …
Jony Ive is inspired
No designer has done more to change the way that we all live than Jony Ive, Apple’s former chief design officer and co founder of …
A language without words
From ancient hieroglyphs to the Olympic Games and architectural signs for the deaf community, pictograms have become a powerful tool …
Anima talks to the British artist and designer about what's next after selling his stake in his business, A-COLD-WALL*
