The New Seki-Han

  • Words Deyan Sudjic
  • Photography Robert Rieger

Tobia Scarpa did not make his first visit to Japan until some years after the Seki-Han light was launched in 1963, but both he and his father were already fascinated by Japanese culture. In the late 1960s Tobia was commissioned to design an exhibition of Italian furniture staged in Tokyo, and travelled to oversee that installation in person. Italy at the time was developing its own version of modernity, filtering a range of influences and at the same time making the transition from skilled artisan workshops to industrial production. Scarpa, both the father and the son, were born and educated in Venice. They are products of that unique city with its special craft traditions and a very

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Antonio Citterio

Issue Three S/S 2025