The Imperfect Object

  • Words Ayla Angelos

When Hella Jongerius opened her studio Jongeriuslab in Rotterdam in 1993, the design world was in transition. The Memphis Group, founded by Ettore Sottsass, had spent the previous decade challenging modernism with furniture defined by cartoonish shapes and zig-zagging geometries – the anthropomorphic Carlton bookcase from 1981 being an apt example. But by the early 1990s, a recession across Europe ushered in a more cautious mood, and the theatrical energy felt increasingly out of step. At the same time, designers were becoming visible cultural figures whose names could define products and brands. Few designers embodied this shift more clearly than Philippe Starck, whose objects for Alessi

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Episode #1

Antonio Citterio

Issue Four S/S 2026